Bhajan Sopori

Santoor and Bhajan Sopori are truly synonymous in the world of Indian classical music. Born into a prestigious family of musicians belonging to the esteemed 'Sufiana Gharana' of Kashmir, Pandit Bhajan Sopori stands out as the Legendary Santoor maestro and distinguished Music Composer. He has been an influential pioneer in elevating the Santoor to prominent National and International platforms, achieving a level of recognition that places it on par with other classical instruments like the Sitar and Sarod, particularly in the realms of Tantrakari and boles. Through his tireless efforts, he has imparted honor and prestige to the Santoor, transforming it into a complete concert instrument worthy of reverence.

His unique rendition of Dhrupad Ang on the Santoor, accompanied by the traditional Pakhawaj, showcases several innovative techniques, including the attachment of Tumba (Gaud), the introduction of 'Meend' and 'Glides', and 'Gamak'. His skillful balancing of the Kalam (strikers) with boles further exemplifies his creative genius. These elements coalesce into a distinctive playing style known as 'Sopori Baaj' (style), for which he is widely hailed as the "Saint of Santoor" and the "King of Strings."

Pandit Bhajan Sopori's journey with the Santoor began under the guidance of his grandfather, Pandit S.C. Sopori, and was further nurtured by his father, Pandit S.N. Sopori, a revered veteran musician from the state of Jammu and Kashmir. Under their mentorship, he underwent rigorous training, which provided him with a solid traditional foundation in Raga-Sangeet, skillfully merging both the Gayaki and Tantrakari styles on his instrument. His captivating recitals consistently demonstrate exceptional technical virtuosity, with intricate, legendary Layakari, Chandhkari, and rapid Taan patterns traversing three octaves, while his melodious Alaap creates a scintillating effect that mesmerizes listeners.

A highly learned individual, Pandit Bhajan Sopori has earned his Masters degrees in both Santoor and Sitar, and he has also studied English literature. His musical education extends beyond Indian classical music; he further enriched his knowledge by studying Western Classical Music at Washington University, USA, showcasing his commitment to bridging diverse musical traditions.

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